Month: September 2019

September News

September News

September News

What have we been up to...

We have held meetings with the Spark Arts in Leicester, Fife Council, the Jennie Lee Foundation, 11 by 11, the Open College of the Arts, and Wicked.

We have attended WhatNext, the Westminster Forum, the Cultural Campaigning Group and Tom Watson's Creative Industries Federation event.


ACA member Miranda Thain wrote an article about why she is a member of ACA.

The Hullabaloo stands in one of the 1% most deprived wards in the UK, many worlds away from the corridors of Whitehall and yet, through being part of an organisation like Action for Children’s Arts, we feel that we have a voice in influencing the future cultural opportunities of our children nationwide. It may just be a small corner of this confusing world, but together we can make it better.


ACA Chair Vicky Ireland MBE met the minds behind the Norwegian Cultural Rucksack in Oslo.

She also met the new children's laureate Cressida Cowell at the Chiswick Book Festival 2019. We love Cressida's charter for children's reading, which you can take a look at here.

 

News from the industry...

DCMS has published its annual Taking Part Survey, including the Child Report, which can be found here.

The CLA has written a paper on 20 years of Cultural Learning Policy in England. Click here to read it.

The Children's Commissioner has published a manifesto for children, which you can read here.

 

This is only part of the September newsletter. Click here to get the full thing to your inbox every month.

Why I support ACA: Miranda Thain, Theatre Hullabaloo

Why I support ACA: Miranda Thain, Theatre Hullabaloo

Why I support ACA: Miranda Thain, Theatre Hullabaloo

In a confusing world that often seems to share few of the things that you deeply value, it is important to find your tribe. This is why I joined Action for Children’s Arts, an organisation filled with passionate people who believe deeply in the value of the arts and creativity in the lives of children. Collectively, we engage with all stakeholders in childhood to advocate for that which we know to be true; that children need the arts, as we all do, to bring us together to entertain, provoke, challenge, delight and inspire. Education is narrowing just at the time when we need breadth and space for ideas. If we don’t allow young people that space to dream of a better world then how can they possibly make it real?

I’ve had the pleasure of working in children’s arts for my whole career, including for the last 12 years as Artistic Producer at Theatre Hullabaloo. I can’t imagine wanting to do anything else. Theatre Hullabaloo believes that creativity should be part of everyone’s childhood. I’d go even further and say that the magic that we all know from being part of the audience in a spine-tingling performance, or the way your mind is blown when an artist encourages you to turn your world view upside down, should be an entitlement of all children, whatever their background.

In 2011, when the first round of austerity hit children’s arts particularly savagely, I wrote in The Stage ‘Perhaps we can no longer afford that precious place in childhood where we have room to imagine?”

The Hullabaloo, our new venue for children and families which opened in December 2017, stands as a beacon for that place of the imagination. It is a building which is proud to recognise how important children are and to offer them spaces and art that is made specifically for them. These spaces are filled with the best of children’s theatre from around the world, attracting specialist artists, most of whom have given their lives to developing work and a relationship to their young audience which is as sophisticated as we know children to be. Fundamental to our vision is that The Hullabaloo is the meeting point for artists, children and academics so that we are not just making great art in creative collaboration, but also developing research which will impact on national policy around the place of creativity in childhood.

The Hullabaloo stands in one of the 1% most deprived wards in the UK, many worlds away from the corridors of Whitehall and yet, through being part of an organisation like Action for Children’s Arts, we feel that we have a voice in influencing the future cultural opportunities of our children nationwide. It may just be a small corner of this confusing world, but together we can make it better.

Theatre Hullabaloo presents TakeOff Festival, England’s leading festival of theatre for children and young people, 21-26 October (Delegate Festival 23-25 Oct, Durham City).

For more information about Theatre Hullabaloo visit www.theatrehullabaloo.org.uk

Miranda Thain, Artistic Producer, Theatre Hullabaloo

Why I joined ACA – Walia Kani

Why I joined ACA – Walia Kani

Why I joined ACA - Walia Kani

I was lucky enough to be a child in the 50s and 60s when arts were a full part of state primary education. I had Ivor Cutler as a drama teacher at junior school. And, without knowing it, learned songs from the opera Hansel and Gretel in infant school, where we also had a pottery wheel and kiln, despite being in the heart of London's deprived East End.

At secondary school there were free piano lessons, and group violin lessons, even for someone like me with minimal aptitude. Our school days were punctuated with orchestra, choir, school play rehearsals, painting sets, dying costumes. We were taken to see Maggie Smith play Beatrice while we rehearsed our all girls Much Ado.
As the decades have gone by I have seen these opportunities disappear from the school curriculum as it becomes more structured and controlled. So, when I  became aware of ACA through my niece I knew this was a good chance to give today's children the experiences I was lucky enough to have.
Walia Kani is a retired optician, based in Durham. She became a member of ACA in July 2019.
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